Lyrics ... Nostalgic, introspective & nocturnal reggaeton sung in Spanish. I ...Nostalgic, introspective & nocturnal reggaeton sung in Spanish. I learned how to live without you. Male singer, autotune, male backing vocals, Spanish guitar sampling, electronic percussion & synth.
ES:
Ella me dice que ya no quiere nada saber de mi
Pase lo que pase sé que por siempre la perdí
Quisiera volver en el tiempo
Volver y revivir esos momentos
Los cariños por la mañana
Y las vacaciones en la playa
Quisiera volver
Volver a tener
Tu cuerpo cerquita de mi piel
Todos planes que teníamos
La casa y el perro que soñábamos
Y ahora entiendo
Sin ti voy muriendo por dentro
Y otra como tú no encuentro
Me quedo con lagrima y lamento
Un mundo sin ti
Aprendi a vivir
Ahora ya crecí
Siempre pensé que no iba nunca superarte
Ahora sé donde voy y lo que quiero
Gracias a ti te lo debo
Sin ti, sin ti
Nunca hubiera imaginado este mundo sin ti
Aún te pienso
Nuestra vida pudo ser diferente
Ella me dice que ya no quiere nada saber de mi
Pase lo que pase sé que por siempre la perdí
Quisiera volver en el tiempo
Volver y revivir esos momentos
Los cariños por la mañana
Y las vacaciones en la playa
Ahora su vida cambió
Se busco otro camino y lo encontró
Lejos de mi ella se mudó
Pero le deseo todo lo mejor
Quizás volveremos a vernos
Y hablaremos de aquellos recuerdos
Lágrimas que brillan, lágrimas que brotan
Y un corazón que botan
Yo sé que no tardaré
En llamarte otra vez
Ya sé que no me demoraré
En llamarte otra vez
Sin ti, sin ti
Nunca hubiera imaginado este mundo sin ti
Aún te pienso
Nuestra vida pudo ser diferente
Ella me dice que ya no quiere nada saber de mi
Pase lo que pase sé que por siempre la perdí
Quisiera volver en el tiempo
Volver y revivir esos momentos
Los cariños por la mañana
Y las vacaciones en la playa
EN:
She tells me that she wants nothing to do with me anymore
Whatever happens I know that I've lost her forever
I'd like to go back in time
To go back and relive those moments
The morning cuddles
And the vacations at the beach
I'd like to go back
Go back and have
Your body close to my skin
All the plans that we had
The house and the dog we dreamed of
And now I understand
Without you I'm dying inside
And another one like you I can't find
I'm left with tears and regrets
A world without you
I learned to live
Now I'm all grown up
I always thought I'd never get over you
Now I know where I'm going and what I want
It's all thanks to you
Without you, without you
I could never have imagined this world without you
I still think of you
Our life could have been different
She tells me that she wants nothing to do with me anymore
Whatever happens I know that I've lost her forever
I'd like to go back in time
To go back and relive those moments
The morning cuddles
And the vacations at the beach
Now her life has changed
She looked for another path and she found it
Far away from me she moved
But I wish her all the best
Maybe we'll meet again
And we'll talk about those memories
Tears that sparkle, tears that flow
And a heart that pours out
I know I won't take long
To call you again
I already know I won't be long
To call you again
Without you, without you
I could never have imagined this world without you
I still think of you
Our life could have been different
She tells me that she wants nothing to do with me anymore
Whatever happens I know that I've lost her forever
I'd like to go back in time
To go back and relive those moments
The morning cuddles
And the vacations at the beach
Contemporary, minimal, inspiring. Atmospheric female vocals with ...Contemporary, minimal, inspiring. Atmospheric female vocals with beautiful programmed harmonies are joined by relaxed beats. Music box tones join with layers of wondrous synths, emotive piano tones and dramatic, distant drums. Builds to rousing, epic peaks. Uplifting and cool alternative pop with heart.
Contemporary, minimal, inspiring. Relaxed beats and music box tones ...Contemporary, minimal, inspiring. Relaxed beats and music box tones are joined by layers of wondrous synths, emotive piano tones and dramatic, distant drums. Builds to rousing, epic peaks. Uplifting and cool alternative pop with heart.
Contemporary, minimal, inspiring. Atmospheric female vocals with ...Contemporary, minimal, inspiring. Atmospheric female vocals with beautiful programmed harmonies are joined by relaxed beats. Music box tones join with layers of wondrous synths, emotive piano tones and dramatic, distant drums. Builds to a rousing, epic peak. Uplifting and cool alternative pop with heart.
Lyrics ... Sensual, smooth & sensitive reggaeton sung in Spanish. She tells me ...Sensual, smooth & sensitive reggaeton sung in Spanish. She tells me he doesn't love her anymore. Male singer, autotune, male backing vocals, female vocal sampling, piano sampling, side-chain FX, electronic percussion & synth.
ES:
Cuando te vi sabía que tenías algo especial
Tus ojos de color mar
Quería verte mas
Cuando te vi yo no sabía por donde empezar
Descubría lo que era amar
Todo de ti lo tuve lo sé y aún más
Ahora ya no hay marcha atrás
De ti yo me liberé
Que como tú no hay diez
Me salvé de tu adicción
Y te lo digo otra vez
No te hago al revés
Te quiero y te quiero girl
Y ya sabes lo que pasó
Y tu me gustaste un montón
Me hice el tonto cuando te vi
Porque tu me gustaste un montón
Me cuenta que no la quiere (mas)
Ya no le besa la boca, boca, boca
Me cuenta que ya no viene (mas)
Me dice que no la toca, toca, toca
Algún día ya no volverá mas
Y yo la esperaré con una botella
Le diré que es la mas bella
Mirando las estrellas
Yo estoy aquí para darte
Consejos y más y más
Yo estoy aquí para amarte
Hasta el infinito y más
Yo todo quiero regalarte
Tenemos los recuerdos
Y el presente y lo que viene
Pienso en ti cuando pasa la canción
Yo no tengo razones de olvidarte
Nos dijimos adiós en la cama
Fuiste toda una dama
Ven vuelve aquí un fin de semana
Regresa amor
Y ya sabes lo que pasó
Y tu me gustaste un montón
Me hice el tonto cuando te vi
Porque tu me gustaste un montón
Me cuenta que no la quiere (mas)
Ya no le besa la boca, boca, boca
Me cuenta que ya no viene (mas)
Me dice que no la toca, toca, toca
Algún día ya no volverá mas
Y yo la esperaré con una botella
Le diré que es la mas bella
Mirando las estrellas
(No, no, no, nooo)
EN:
When I saw you I knew there was something special about you
Your sea-colored eyes
I wanted to see you more
When I saw you I didn't know where to start
I was discovering what it was to love
Everything about you I had, I know it and even more
Now there's no turning back
From you I freed myself
Cause there's not ten like you
I saved myself from your addiction
And I tell you again
I don't make it to you the wrong way
I love you and I love you girl
And you know what happened
And I liked you a lot
I played dumb when I saw you
Cause I liked you a lot
She tells me that he doesn't love her (anymore)
He don't kiss her mouth, mouth, mouth
She tells me that he doesn't come (anymore)
She tells me that he doesn't touch her, touch her, touch her
Someday she won't come back no more
And I'll wait for her with a bottle
I'll tell her she's the most beautiful one
Looking at the stars
I'm here to give you
Advice and more and more
I'm here to love you
To infinity and more
I want to give you everything
We have the memories
And the present and what's to come
I think of you when the song plays
I have no reason to forget you
We said goodbye in bed
You were such a lady
Come back here one weekend
Come back love
And you know what happened
And I liked you a lot
I played dumb when I saw you
Cause I liked you a lot
She tells me that he doesn't love her (anymore)
He don't kiss her mouth, mouth, mouth
She tells me that he doesn't come (anymore)
She tells me that he doesn't touch her, touch her, touch her
Someday she won't come back no more
And I'll wait for her with a bottle
I'll tell her she's the most beautiful one
Looking at the stars
Hyperpop, digicore electro. Happy, digital & fun. Suggested for video ...Hyperpop, digicore electro. Happy, digital & fun. Suggested for video games, esports, computer science & youth. Synth & rhythm.
Lyrics ... Funky, chaotic, fun. Upbeat bass plays out a groovy sequence with a ...Funky, chaotic, fun. Upbeat bass plays out a groovy sequence with a pacy beat. Autotuned male vocals about feeling frantic and having endless amounts of positive energy, having to win all the time. Soulful hook at 00:27 with charismatic performance and passionate shouted vocals, combined with cool ad libs. Glassy wavering chords conveying a fun, strange atmosphere.
I'm feeling like the baddest, No match for me, Do tricks like it’s magic, Swagged out every day, It’s a habit, I see something that I like, I gotta grab it, Feeling good from top to bottom, I gotta match it, Gotta win all the time, Call me an addict, Got them all looking at me like I'm ratchet, I know they all hating on me it’s so tragic. It’s madness, The way they all hating on me every day, But I know it’s cause I'm the baddest, (Hey hey) I'm the baddest, (Hey hey) It’s madness, The way they are looking at me, Like I'm a problem but I know I'm the baddest, (Hey hey) I'm the baddest, (Hey hey) It’s madness, The way they are trying to be me every day, But I know it’s cause I'm the baddest, (Hey hey) I'm the baddest, (Hey hey) It’s madness, They don't make them like me every day, It’s cause I know I'm the baddest, (Hey hey) I'm the baddest, (Hey hey) It’s madness. Now let’s get ready, We come in stumping so heavy, We pour in like we broke the levy, They like me and they just met me, All that hating on me is so petty, Keep my eye on you like my name fetty, I'm trying to get right let’s add it to the tally, I get what I like they call me a baddie. Now let’s get to it, Ain’t no thing but to just do it, You want to be me, I'll show you how to do it, I'm the baddest, (Hey hey) I'm the baddest, Now let’s get to it, Ain’t no thing but to just do it, You want to be me, I'll show you how to do it, I'm the baddest. (Hey hey) It’s madness, The way they all hating on me every day, But I know it’s cause I'm the baddest, (Hey hey) I'm the baddest, (Hey hey) It’s madness, The way they are looking at me, Like I'm a problem but I know I'm the baddest, (Hey hey) I'm the baddest, (Hey hey) It’s madness, The way they are trying to be me every day, But I know it’s cause I'm the baddest, (Hey hey) I'm the baddest, (Hey hey) It’s madness, They don't make them like me every day, It’s cause I know I'm the baddest, (Hey hey) I'm the baddest, (Hey hey) It’s madness.
Funky, chaotic, fun. Upbeat bass plays out a groovy sequence with a ...Funky, chaotic, fun. Upbeat bass plays out a groovy sequence with a pacy beat. Soulful section at 00:27 with glassy wavering keys conveying a strange but passionate atmosphere. Sharp string impacts heightening a feeling of drama. Instrumental version.
Funky, chaotic, fun. Upbeat bass plays out a groovy sequence with a ...Funky, chaotic, fun. Upbeat bass plays out a groovy sequence with a pacy beat. Soulful section at 00:27 with glassy wavering keys conveying a strange but passionate atmosphere. Bouncy bass still conveying a feeling of upbeat positivity. Stripped back underscore version.
Lyrics ... Electro trap song. Catchy, modern & determined. Suggested for fashion ...Electro trap song. Catchy, modern & determined. Suggested for fashion & urban landscapes. Synth, male singer with auto-tune & rhythm.
Hold on to the feelin like there's no tomorrow
Pushing the glass cieiling but you broke and borrowed
Looking for some freedom between jokes and sorrow
Hold on hold on
Hold on to the lady like she's all you got
Hold on cause she might be one day all you got
Grab a hold a something cause the train gon start
Hold on hold on hold on
I prayed for them
Was scared for them
I'm back from it
Lyrics ... Emotional, nocturnal & swaying reggaeton sung in Spanish. Unrequited ...Emotional, nocturnal & swaying reggaeton sung in Spanish. Unrequited love for a friend. Male singer, autotune, male backing vocals, sampling, electronic percussion & synth.
ES:
(D D DNAVAZ, woh oh)
Eras mi amiga y no podía decirte
Lo que sentía por ti
Por ese miedo de perderte
Y nunca te lo pude decir
Pero yo notaba
Que le gustaba la vida loca
Los hombres la amaban
Miles de corazones robaba
Nos vimos y directo
Intercambiamos miradas
No entendíamos
Y no me lo explicaba
Yo se que tu de mi tú confiabas
En mi pieza te cambiabas
Mejor amiga de la noche a la mañana
Y nunca mordimos la manzana
A escondidas la mas que amaba
Yo a ti canciones cantaba
Fuiste mi mejor fanática
En esa época, en esa época
Y no me imaginaba sin ti
Y sin tu perfume pegado a mi
Eras mi amiga y no podía decirte
Lo que sentía por ti
Por ese miedo de perderte
Y nunca te lo pude decir
Pero yo notaba
Que le gustaba la vida loca
Los hombres la amaban
Miles de corazones robaba
Bailábamos bien pegadito en la disco
Para volver celosa una ex
Con un reggaeton bien suavecito
Tal como sonaba ayer
En las buenas y en las malas
Yo estaba siempre bien cerca de ti
Pero cuando te enamoraste de él
Lo hice todo pero no pude quedarme
En esta amistad, se que fallé
El ultimo día dije todo lo que sentía
Y del hecho que no serás nunca mía
Eras mi amiga y no podía decirte
Lo que sentía por ti
Por ese miedo de perderte
Y nunca te lo pude decir
Pero yo notaba
Que le gustaba la vida loca
Los hombres la amaban
Miles de corazones robaba
EN:
(D D DNAVAZ, woh oh)
You were my friend and I couldn't tell you
What I felt for you
Because of that fear of losing you
And I could never tell you
But I could see
That she liked the crazy life
Men loved her
Thousands of hearts she stole
We saw each other and straight away
We exchanged glances
We didn't understand
And I couldn't explain it to myself
I know that you trusted me
In my room you got changed
Best friend overnight
And we never bit the apple
In secret the one I loved the most
I used to sing songs to you
You were my best fan
At that time, at that time
And I couldn't imagine myself without you
And without your perfume clinging to me
You were my friend and I couldn't tell you
What I felt for you
Because of that fear of losing you
And I could never tell you
But I could see
That she liked the crazy life
Men loved her
Thousands of hearts she stole
We'd dance real tight at the disco
To make an ex jealous
With a very soft reggaeton
Just as they used to sound yesterday
In good times and bad times
I was always close to you
But when you fell in love with him
I did everything but I couldn't stay
In this friendship, I know I failed
On the last day I said all that I felt
And about the fact that you'll never be mine
You were my friend and I couldn't tell you
What I felt for you
Because of that fear of losing you
And I could never tell you
But I could see
That she liked the crazy life
Men loved her
Thousands of hearts she stole
Lyrics ... Exotic, determined, hypnotic. Drooping synth notes play out over a ...Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Male autotuned vocals sing about an individual that treats them bad, but they can't get enough of, a lustful love situation. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
So cold sayin' things you don’t mean, Only time we good when I’m in dem jeans, Either that or bad ain no in between, But I want ya I be feelin' like a fiend, Goosebumps every time dat you touch me, When we up I be feelin' like I’m lucky, When we down I be feelin like I’m cursed, Slick talk and attitudes be da worse, But you love it when dem racks in yo purse, Nails done hair did girl I see you work, But u steady playin' wit my top like a jerk, Heart so cold I got used to the hurt.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you got me hard, Like Medusa, From the back, you know I kill it, I’m the ruler, Iced out, chain on, Shout out to my jeweler, Big rocks, big clocks, Hmmmm Frank Mueller, He might russel with you, But I’m tryna be ya future, If you are scared of the thunder, Then go, If you stay, mmmmm Ima watch it roll, Don’t be shy, Baby come up out them clothes, Shawty slow down, When you wine down that poll, Left cheek, right cheek, Mamma shaking fast,Shawty getting money, And she got her haters mad, You don’t pay her bills, Keep them slicks to yourself, Shawty she a G and, She don't need nobody else.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Exotic, determined, hypnotic. Drooping synth notes play out over a ...Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men. Instrumental version.
Lyrics ... Powerful, wistful, strong. Swirling synths and guitar play out a ...Powerful, wistful, strong. Swirling synths and guitar play out a dramatic sequence, falling into a heavy bass rhythm. Male autotuned vocals talking to a love interest about how they stay cool and focus on making money. Catchy lyrics with comedic comparisons infers a confident aura. An individual who has control of their life and has control over others, a top dog or someone people fear and respect.
Sandals, I just hit yo chick in Gucci sandals, Candle, rollin' up I’m burnin' like a candle, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler, Put em on dat rope you know I make em walk a line, Haters steady talking I pay them no never mind when I, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler.
Colder than da ice up in dat cooler, I got money on madula, Want dat smoke I bring it to ya, Ay I’m makin' lil shawty move her body like a dancer, Answer, I don’t even know da question random, Vamping, I just popped a 30 so I’m vamping, All night baby Ima hit it till I’m cramping, Head game honor student like she went to Hampton, I don’t hold no hands really not into romantics, Shawty clean me up yeah she got manners, I got, all diz money on me like a scammer, Nailin it you know I keep da hammer,
Fit you in my schedule I write it in my planner.
Sandals, I just hit yo chick in Gucci sandals, Candle, rollin' up I’m burnin' like a candle, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler, Put em on dat rope you know I make em walk a line, Haters steady talking I pay them no never mind when I, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler.
Powerful, wistful, strong. Swirling synths and guitar play out a ...Powerful, wistful, strong. Swirling synths and guitar play out a dramatic sequence, falling into a heavy bass rhythm. Cool, slick sound reminiscent of an individual who has control of their life and has control over others, a top dog or someone people fear and respect. Instrumental version.
Lyrics ... Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of ...Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Lyrics about a toxic relationship, someone looking for affection at the wrong times. Two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy.
Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line. You got needs, I got what you need, It’s so good ima bring you to ya knees, You looking good girl you need some high fashion, It’s first-class when you rollin' out with me, Money be callin', you know dat I answer, Way dat you movin' dat body like dancers, Hope dat you don’t mind I pull out my camera, You just do yo thing, we gone shoot a scene, When I pop a Xanny I might need some bed rest, Servin' Off White in the trap dead fresh, In a jump, pushing work leg press, Put you on a test just to see where to head at, Run off in yo spot be like where dat bread at, Rollin off a addy so my eyes dead red, I ain’t even vote but I need dead presidents, Drop me da location I’m pullin' up yo residence, in the late night. Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of ...Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Reminiscent of a sad but emotionally charged situation, two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy. Instrumental version.
Lyrics ... Hypnotic, moving & unconventional. Avant-garde pop in a world-music ...Hypnotic, moving & unconventional. Avant-garde pop in a world-music spirit. Sequence and layers of sampled voices, electric bass, intermittent percussion & female lead singer @ 1'25,
Alternate without lead vocal. Hypnotic, repetitive & unconventional. ...Alternate without lead vocal. Hypnotic, repetitive & unconventional. Avant-garde pop with a world-music touch. Sequence and layers of sampled voices, electric bass, intermittent percussion & female vocals @ 0'35.
Lyrics ... Avant-garde pop/electronica ballad with a touch of R&B. Edgy, ...Avant-garde pop/electronica ballad with a touch of R&B. Edgy, inspiring & passionate. Female singer, vocal sound design, delay fx, electric bass & percussion
Now that we’re parting Now that we’re parting I see you Now that we parted Now we’re parting I see you
I get it now you’re part of me we’re cut in half I get it now you’re a part of me we’re cut in half (Well there’s nothing back home) I see it now but too late
Now that we’re parting I see it now bu too late Now that we’re parting Now that we parted I see it now but too late
You’re a part of me (And I get that there’s nothing back home) Now that we’re parting I see you Now that we’re parting I see you Now that we parted You’re all I need I see you
I see you I get it now you’re part of me we’re cut in half (Now that we’re parting) I get it now you’re a part of me we’re cut in half Too late
Alternate without lead vocal. Avant-garde pop/electronica with a ...Alternate without lead vocal. Avant-garde pop/electronica with a touch of R&B. Edgy, inspiring, atmospheric & sparse. Vocal sound-design, electric bass & percussion.
Lyrics ... Hip Hop / Rap. Stimulating, confident, striking, swagger, heavy & ...Hip Hop / Rap. Stimulating, confident, striking, swagger, heavy & pulsating. Male rapper, synth, drumbeat & FX. For team sport, fight sport & highlights.
Back to the wall and I’m headed out strong
Yeah I’m headed out strong, KONG!
BACK to the wall, and I’m headed to the top
AND I’m Headed to the top,
And I’m headed to the top
I”M headed to the top!
Come on get down with me
Come on get down
THEY TRY DOUBT ME - it motivate me
I”M SO ABOUT MY CRAFT I don’t know if you
NOTICE LATELY
REPRESENT THE REALEST
REASON WHY I DO THIS
ALWAYS BE THE TRUEST
ALWAYS PUT ON FOR MY PEOPLE
PUT ON FOR MY PEOPLE
YEAH I PUT ON FOR MY PEOPLE
IF you came to rock,
Now’s the time to get down
now’s the time to get down
now’s the time to get down
GO HARD - GO HAM - GO IN, that’s me!
You are now rocking with a beast,
You are now rocking with a beast,
Gotta be the one,
Yeah I gotta be the one
Yeah I gotta be the one,
yeah YOU gotta be the one!
Lyrics ... Raw, powerful, rebellious. Heavy rock guitar chugs through power ...Raw, powerful, rebellious. Heavy rock guitar chugs through power chords, creating a fiery atmosphere alongside heavy breathing. Autotuned male vocals deliver renegade lyrics telling people to get out of the way, sense of arrogance and anger. Expansive instrumentation lends itself to a sense of challenge alongside rap bragging about ability and determination. Taking the world and doing what you want with it. Reminiscent of a person with a tremendous amount of power who has a rebellious energy. Break at 01:27 adds to anticipation with trickling melodies leading back into heavy instrumentation.
Better move, Better move,
Outa sight, I’m coming through (coming through), It’s a damage that a villain came to do, I’m exploding, Going off I make it boom, So better move, Better move (better move), Move aside Outta sight, I’m coming through (coming through), It’s the damage that I really came to do (coming through), I’m a savage, Don’t you make me lose my cool (don’t you make me lose my cool, yea, yea, yea).
If I didn’t get it straight, This time imma get it right, I don’t need a leap of faith, ‘Cause I flew a million miles, See me like a satellite, Looking at you day and night,
Stocking all your motions, Like i’m following a candle light, Determined like a mastermind, I seek and then I conquer, I step my foot into the gas,
And not for accolades or honour, I take the world and make it mine, Don’t care ‘bout power postures, My side is where it’s at, The other side is mine to slaughter.
Get outta my way, Out of my way, If you ain’t out of it, You better pray, Get outta my way, Hear what I say, If you wanna ball, Get ready to pay (yea yea yea).
Better move (better move), Better move, Outa sight, I’m coming through (coming through),It’s a damage that a villain Came to do, (better move), I’m exploding, Going off I make it boom (better move), So better move (better move), Better move (better move), Move aside, Outa sight, I’m coming through (coming through), It’s the damage that I really came to do (coming through), I’m a savage, Don’t you make me lose my cool, (don’t you make me lose my cool) So better move, Better move.
Raw, powerful, rebellious. Heavy rock guitar chugs through power ...Raw, powerful, rebellious. Heavy rock guitar chugs through power chords, creating a fiery atmosphere alongside heavy breathing. Guitars rise into expansive instrumentation, lending itself to a sense of challenge or danger. Taking the world and doing what you want with it. Reminiscent of a person with a tremendous amount of power who has a rebellious energy. Break at 01:27 adds to anticipation with trickling melodies leading back into heavy instrumentation. Instrumental version.
Raw, powerful, rebellious. Heavy rock guitar chugs through power ...Raw, powerful, rebellious. Heavy rock guitar chugs through power chords, creating a fiery atmosphere alongside heavy breathing. Guitars rise into expansive instrumentation, lending itself to a sense of challenge or danger. Taking the world and doing what you want with it. Reminiscent of a person with a tremendous amount of power who has a rebellious energy. Break at 01:27 adds to anticipation with trickling melodies leading back into heavy instrumentation. Stripped back underscore version.
Raw, powerful, rebellious. Expansive atmosphere opens up with the ...Raw, powerful, rebellious. Expansive atmosphere opens up with the help of daunting melodies and loud bass impacts. Reminiscent of a rebel, someone who takes the world and does what they want with it. Guitar asserts a sharp and possibly villainous sensibility. Large crashing drums create a loud and raucous atmosphere. Stripped back underscore version.
