Lyrics ... Determined & positive. Male voice, folk guitar & rhythm.
Il y avait trop de dope hier soirDe retour sur la route à la lumière du matinOn suivra les cimesEt maintenant tu me montres ce que tu as.On peut sentir les vents errantsSoufflant dans nos cheveux de montagneSur ces anciennes routes, le monde se réveille.Il y avait trop de fantôme hier soirDe retour sur la route à la lumière du matinOn suivra les cimesEt maintenant tu me montres ce que tu as.As-tu déjà vu cette routeIl y avait trop d’amour hier soir !Montre-moi ce que tu as, ce que tu as.
Lyrics ... Country ballad. Lazy & nostalgic waltz. Male singer, pedal steel, ...Country ballad. Lazy & nostalgic waltz. Male singer, pedal steel, piano & rhythm section. Suggested for romance.
There’s a place down the street
Where my friends congregate
And when we sit on those bar stools
We’re not alone
10 am the lights are on
Beer’s cold, the whiskey’s strong
And we’re drowning those memories
One by one
You can meet me at the idle hour
Where the juke box plays all those country songs
If you’re tryin’ to hang on
To a love that’s dead and gone
With too many reasons not to go back home
The neon lights are bright
Even tho it’s past midnight
And the band’s packed up and moved on
Stare at the clock on the wall
Bartender says last call
And I start missin’ her most of all
So, you can meet me at the idle hour
Where the juke box plays all those country songs
So if you’re tryin’ to hang on
To a love that’s dead and gone
With too many reasons not to go back home
Too many reasons not to go back home
Lyrics ... Explosive, cautionary, energetic. Fast-paced guitar riff leads into ...Explosive, cautionary, energetic. Fast-paced guitar riff leads into heavy rock style with powerful drums and hard-hitting guitar. Male vocals about pitfalls of fame and success, addiction and a chaotic existence. Trippy guitar effects and shouted vocals convey a classic rock power. Reminiscent of a disorderly night on the town, full of shouting and violence.
White lines, cruel designs, You just can’t get enough,Flash of light, out of sight,Now it’s in your blood,Confetti nights, petty fights,They always end the same,You’ll do the same tomorrow,You know you’ll never change The next time you call me late at nightI just want you to know Be careful what you wish for you might just get it,If you think money makes you rich you might as well just forget it Red wine, on the rug,It looks just like blood,Cold sweat, shallow breath,One thing you can’t outrun,Late nights, cruel delights,It’s all got too much,You’ve run out of patience,Now you’ve run out of luck
The next time you call me late at nightI just want you to know Be careful what you wish for you might just get it,If you think money makes you rich you might as well just forget it
Explosive, cautionary, energetic. Fast-paced guitar riff leads into ...Explosive, cautionary, energetic. Fast-paced guitar riff leads into heavy rock style with powerful drums and hard-hitting guitar. Trippy guitar effects and energetic drum performance convey a classic rock power. Reminiscent of a disorderly night on the town, full of shouting and violence. Instrumental version.
Explosive, cautionary. Fast-paced guitar riff leads into heavy rock ...Explosive, cautionary. Fast-paced guitar riff leads into heavy rock style with slapback echo. Trippy guitar effects convey an expansive rock power. Reminiscent of a night out on the town, full of shouting and regretful decisions. Stripped back underscore version.
Lyrics ... French song about alcohol like a New-Orleans jazz march. swaying, ...French song about alcohol like a New-Orleans jazz march. swaying, lazy & funny. Male voice, drum, accordion, trombone, trumpet like a marching band.
Le vagabond traîne sa bouteille Il traîne son chien et son mégot Il traîne une vie qui est la sienne
Poussière, poussière
Chauffe le vin de sa bouteille Chauffe le feu de son mégot Chauffe la vie de son vieux chien
Poussière, poussière
Quand vient la nuit puis le sommeil La peur se glisse sous la peau Gratte la plaie où dort sa peine
Poussière, poussière
Specks of dust
The vagabond drags his bottle He drags his dog and his stub He drags a life which is his own
Dust, dust Heat the wine of his bottle Heat the fire of his stub Heat the life of his old dog
Dust, dust Sleep escapes as the night comes Fear slips under the skin Scratches the wounds where sleeps the pain Dust, dust
Lyrics ... Uplifting, summery, romantic. Reflective acoustic guitars with ...Uplifting, summery, romantic. Reflective acoustic guitars with clicking percussion and emotional, atmospheric female vocals, building in confidence with electronic beats and synth risers to upbeat, catchy choruses with attitude. Cool and contemporary commercial female pop with swagger.
V1Here I am,The same place I was beforeLike I tookYou With a blue and yellow pill Now I’m drunk andTell me honestly If I said I loved youWould you say you love me
PCTwo Three four,DrinksSome people don't feel a thing5 6 7 8Feel it in the morning
CHI’m too good at falling in loveFalling in loveFalling in love Bartender says That I’ve had EnoughI’ve had enoughI’ve had enoughCause if he’s a beer And I get a TasteJust Be careful cause
I’m a Lightweight
V2Here I amI’m hazy and my head is soreGot a fear my feelings are about to spillNow I’m doneI promise you no more boozeBut when tomorrow comesI’ll have a shot
PCOr twoThree four drinksSome people don’t feel a thing5 6 7 8Feel it in the morning
CHI’m too good at falling in loveFalling in loveFalling in love Bartender says That I’ve had EnoughI’ve had enoughI’ve had enoughCause if he’s a beer And I get a TasteJust Be careful causeI’m a lightweight
Uplifting, summery, romantic. Reflective acoustic guitars with ...Uplifting, summery, romantic. Reflective acoustic guitars with clicking percussion build in confidence with electronic beats and synth risers to upbeat, catchy choruses with attitude. Cool and contemporary commercial female pop with swagger.
Uplifting, summery, romantic. Reflective acoustic guitars with ...Uplifting, summery, romantic. Reflective acoustic guitars with clicking percussion build in confidence with electronic beats and synth risers to upbeat, catchy choruses with attitude. Cool and contemporary commercial female pop with swagger. Stripped back underscore version.
Uplifting, summery, romantic. Clicking percussion builds in ...Uplifting, summery, romantic. Clicking percussion builds in confidence with electronic beats and synth risers to upbeat, catchy choruses with deep synth bass and attitude. Cool and contemporary commercial female pop with swagger. Stripped back underscore version.
Uplifting, summery, romantic. Reflective acoustic guitars with ...Uplifting, summery, romantic. Reflective acoustic guitars with confident electronic beats and emotional, atmospheric female vocals create an upbeat, catchy chorus with attitude. Cool and contemporary commercial female pop with swagger.
Uplifting, summery, romantic. Reflective acoustic guitars with ...Uplifting, summery, romantic. Reflective acoustic guitars with confident electronic beats create an upbeat, catchy chorus with attitude. Cool and contemporary commercial female pop with swagger.
Lyrics ... Country ballad. Lazy & nostalgic waltz. Male singer, pedal steel, ...Country ballad. Lazy & nostalgic waltz. Male singer, pedal steel, piano & rhythm section.
IDLE HOURVERSE There’s a place down the street
Where my friends congregate And when we sit on those bar stools We’re not alone 10 am the lights are on Beer’s cold, the whiskey’s strong And we’re drowning those memories One by one CHORUS You can meet me at the idle hour Where the juke box plays all those country songs If you’re tryin’ to hang on
To a love that’s dead and gone With too many reasons not to go back home
VERSE The neon lights are bright Even tho it’s past midnight And the band’s packed up and moved on Stare at the clock on the wall Bartender says last call And I start missin’ her most of all
CHORUS So, you can meet me at the idle hour Where the juke box plays all those country songs So if you’re tryin’ to hang on To a love that’s dead and gone With too many reasons not to go back home Too many reasons not to go back home